Sunday, January 27, 2008
Marlon Brando film -2
One-Eyed Jacks (1961)
The Fugitive Kind (1959)
The Young Lions (1958)
Sayonara (1957)
The Teahouse of the August Moon (1956)
Guys and Dolls (1955)
Desir? (1954)
On the Waterfront (1954)
The Wild One (1954)
Julius Caesar (1953)
Viva Zapata (1952)
A Streetcar Named Desire (1951)
The Men (1950)
Marlon Brando film -2
Superman (1978)
The Missouri Breaks (1976)
The Nightcomers (1972)
Ultimo tango a Parigi (1972)
The Godfather (1972)
Queimada (1969)
The Night of the Following Day (1968)
Candy (1968)
Reflections in a Golden Eye (1967)
A Countess from Hong Kong (1967)
The Appaloosa (1966)
The Chase (1966)
Morituri (1965)
Bedtime Story (1964)
The Ugly American (1963)
The Mutiny on the Bounty (1962)
Marlon Brando film
The Score (2001)
Free Money (1998)
Baseketball (1998)
The Brave (1997)
The Island of Dr. Moreau (1996)
Don Juan DeMarco (1995)
Christopher Columbus: The Discovery (1992)
The Freshman (1990)
A Dry White Season (1989)
The Formula (1980)
Apocalypse Now (1979)
Raoni (1978)
Technorati Profile
Brando died
Marlon Brando works-3
Marlon Brando works-3
His second Oscar finally came for his role as Don Corleone in Francis Ford Coppola’s The Godfather in 1972. Brando hired an actress to decline the Oscar and give a speech about the United States’ crimes against Native Americans. Although Brando made no secret of his willingness to act in almost anything for the money
Marlon Brando works-2
The Wild One. His last stage appearance was the Boston production of Arms and the Man in 1953. Brando’s career became as outsized as his acting. In 1960, he formed his own production company to make a new film. Both Stanley Kubrick and then Sam Peckinpah left the director’s position because they found working with Brando too difficult, so Brando himself took over the directing for 1961's One-Eyed Jacks. Brando’s work in the sixties included a string of movies that did not connect with an audience: The Ugly American (1963), The Chase (1966), A Countess from Hong Kong (1967), Reflections in a Golden Eye (1967), Candy (1968), Queimada! (1969), The Nightcomers (1971).
Marlon Brando works
Remember Mama (1944), followed by Truckline Cafe (1946) for which critics voted him Broadway’s most promising actor. The 1947 production of Tennessee Williams’ Streetcar Named Desire, directed by Elia Kazan, brought Brando center stage as the raging Stanley Kowalski, and Hollywood caught on. Amazingly, Brando would be nominated by the Academy for four straight years for a best actor award: the screen version of Streetcar (1951), Viva Zapata! (1952), Julius Caesar (1953), finally winning for On the Waterfront (1954), the same year he starred in the now-classic
Marlon Brando force in American theatre and film?
Why was Marlon Brando such a force in American theatre and film? Brando created a visceral style of acting that overwhelmed colleagues, audiences, and actor training. Born in 1924 in Omaha, Nebraska, Brando rebelled at any early age. His father offered to finance any career choice he wanted, as long as he actually chose a career. Brando chose acting. He went to New York to study, first with Stella Adler, and then with Lee Strasberg. These acting teachers were in the process of redefining actor training in this country, to put the lived-through emotions of a moment as the actor’s central point of focus, and Brando became their star student. Brando’s first Broadway play was
Marlon Brando, by Diogo Salles
Marlon Brando, Jr. (April 3, 1924 – July 1, 2004) was an Oscar-winning American actor who is widely regarded as one of the greatest film actors of the 20th century. He brought the techniques of either the Stanislavski System or method acting (commonly mistaken for the same acting technique) to prominence in the films A Streetcar Named Desire and On the Waterfront, both directed by Elia Kazan in the early 1950s. His acting style, combined with his public persona as an outsider uninterested in the Hollywood of the early 1950s, had a profound effect on a generation of actors that would come after him.
Marlon Brando history
Education: Attended Shattuck Military Academy, Faribault, Minnesota; studied acting with Stella Adler, New School for Social Research, New York. Family: Married 1) Anna Kashfi, 1957 (divorced 1959), son: Christian Devil; 2) Maria Castaneda, 1960, children: Miko and Rebecca; children by Tarita Teriipaia: Teihotu and Tarita Zumi "Cheyenne" (deceased). Career: 1944—Broadway debut in role of Nels in I Remember Mama; 1947—stage stardom established by performance in A Streetcar Named Desire; 1950—film debut in The Men; 1959—founded Pennebaker Productions to produce One-Eyed Jacks; 1972—declined Academy Award for role in The Godfather, delegated Indian actress, Sasheen Littlefeather, to read statement accusing film industry of misrepresenting the American Indian; 1979—in TV mini-series Roots: The Next Generation. Awards: Best Actor, Cannes Festival, and Best Foreign Actor, British Academy, for Viva Zapata!, 1952; Best Foreign Actor, British Academy, for Julius Caesar, 1953; Best Actor Academy Award, Best Actor, New York Film Critics, and Best Foreign Actor, British Academy, for On the
Marlon Brando
Marlon Brando was an Academy Award-winning American actor whose body of work spanned over half a century. He is widely regarded as one of the most influential actors of all time. Brando is best known for his roles as Stanley Kowalski in A Streetcar Named Desire and Terry Malloy in On the Waterfront, both directed by Elia Kazan in the early 1950s, as well as his Academy-Award winning performance as Vito Corleone in The Godfather and as Colonel Walter E. Kurtz in Apocalypse Now, the latter two directed by Francis Ford Coppola in the 1970s.
Brando was also an activist, lending his presence to many issues, including the American Civil Rights and American Indian Movements. He was named the fourth Greatest Male Star of All Time by the American Film Institute
Marlon Brando Birth
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